This is my first gig at the former (infamous) Old Mother Macs pub, now relaunched as The Rat and Pigeon. It’s still very much an old school backstreet boozer but with enough of a facelift to make it feel friendly enough and the youthful clientele challenge the myth that ‘ver kids’ don’t like clustering around a pub table for a chinwag, a bag of crisps and a pint of mild… these lot do.
Upstairs is a very small but well appointed gig venue, about the size of the back room of The Castle but with space for a corner bar and back room…and it has a sound and lighting rig powerful enough for a venue three times the size. Small enough for local artists and international bands taking their first steps on the circuit – and indeed tonight’s turn is French trio eat-girls (the lower case and hyphen is important apparently), over from Lyon for their first ever UK dates.
They start by donning those head-light things joggers wear to illuminate each member of the band and the audience – it’s a neat trick and straight away they grab your attention. The striking three piece Amélie, Elisa, and Maxence play keys, guitar and bass with everyone covering vocals – often the track drops away to them all singing in unison – their “electronic madrigals” as they put it. There’s no drummer but the backing track is punchy enough and the propulsive bass and guitars provides enough movement, spontaneity and energy to compensate for the relentless, pre-programmed beatbox.
I don’t want to resort to that old hackery of comparing these young artists to other, older bands but I’m going to anyway. There’s definitely an echo of early Stereolab in the taught rhythms, vocal rounds and a certain sense of utilitarian style. They draw from Post-Punk, particularly the clipped, economical tunesmithery of Wire, The Banshees and Joy Division at their most motorised. The organ drones and keyboards recall the dreamily European, cinematic swoon of Tuxedomoon or Marine.
But enough of the comparisons – eat-girls have plenty of ideas of their own with moody synth textures and atmospheric samples and dubby FX adding to a swirly miasma. You can dance to them too – and they inspire some serious frugging in the room among the pop-crazed youngsters as the room fills and warms up. They have a deft knack of veering from total seriousness, to bopping around with abandon- often during the same song.
I’m totally sold on these – easily one of the best new groups I’ve seen in a long time. Their mighty fine LP ‘Area Silenzio’ is out now and don’t miss the chance to see eat-girls.
They will haunt you.
